These subjects were all willing participants, however their capacity to give consent comes into question. The documentary follows four alcoholics in an observatory manner. Overall, I believe that it is good to make the public known about situations like these, especially when it can have an impact on your image of alcohol. Stream "I've Got Rain In My Heart" by The Fresh Experience on desktop and mobile. We will package all of it up nicely into a docker container along with a UI and an API (in Flask) An . One of them, Nigel Wratten, was shown unconscious, dead in all but name, while his wife made her final farewell;. But Ive never felt like Watson exploited his subjects. Music Video BOWY Rain In My Heart Featured In Album Beat Emotion BOWY Listen to RAIN IN MY HEART on Apple Music. On the other hand, I feel that some of the content included in the film did not have to be included. He never appeared to be controlling or interregative in a dominant sense, he remained calm when interviewing his subjects and took their replies without expresing his personal opinion. He would ask the interviewees why theyve relapsed or if they feel disappointed with their failed progress, but depending on the reaction to these questions, Watson would take a step back if he sensed it was in anyway emotionally challenging, until the subject would take control and continue/stop themselves. However, Watson once again denies accusations of exploitation for when he arrives at Vandas to see the door open and clarifies his reason for waiting by stating of course you wait, you dont just go in and more importantly, when the action begins to unfold with a drunken Vanda, Watson says that he must regain his job as someone there to just film what they do to their selves and reassures her that when she begins to talk delicately about her abusive past, that he will not use this footage in the future if she does not want to. High-quality Rain In My Heart Wall Art designed and sold by artists. There are multiple narratives that composes the documentary surrounding each alcoholic; delving into their health, issues and families through interviews and visual representations of their effects. Paul Watson was capturing the real lives of these alcoholics, he was not interfering with their actions and allowed alcoholics who were told if they drink anymore they could die, to drink. I didnt expect Rain in my Hearts to emotionally affect me as much as it did, though we were warned. This bereavement card features rain only over a tree with a figuring sitting beneath it. Throughout the documentary there are cut ins of Watson discussing ethical implications during the filming process. I believe that to a degree, this exploits his subjects as hes physically chosen to include and investigate them, making them almost vulnerable because he is sure hell result in achieving great interviews with them. But for the families and subjects is must be/ must have been a very awkward experience even if they had consented to the film. Download Secret Cat Forest v. Name : Secret Cat Forest : Update : Jun 7, 2022: Version : 1. I feel as though Watson was trying to be as ethical as possible, baring in mind his need to capture this shocking footage in order to create the Documentary. This powerful documentary from fly-on-the-wall pioneer Paul Watson follows four alcohol abusers over the course of a year. It affected me emotionally and made me understand what an alcoholics reasons might be for drinking, and sometimes it might not just be that they want a drink. Sometimes during the film I felt like I wanted to intervene in order to stop what the interviewees were struggling with while telling their stories. Because I think it break the engagement of the audience. And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. Kath now struggles on a severely limited income. What is interesting about this documentary is that when Paul Watson went to visit Vandas home and saw that she had relapsed, he admitted that he does develop emotional ties to the subjects that he is filming, but that he has the ability to stand back. He pressed forward with the interview and filmming in the crual moment such as his subject vomitted and had a hard time with pain. In making Rain in my Heart I would need to film people with troubled psyches; people within which gremlins and monsters lurk producing psychological pain and miseries, miseries that often push them to self-harm. I have noticed that many people discuss this film on various alcoholism-related websites and quite a number of people stopped drinking after watching it or at least took it into serious consideration, and even if one person was/ will be saved by this film than it was definitely worth it. The fact that two of participants died during filming is grim testimony to the illness of alcoholism. Although uncomfortable to watch this shed some light if not clarity into the source of Vandas drinking. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. The edit involves numerous repeats of dialogue from the patients, which is played at random and juxtaposing episodes, some even without the visuals which make it seem part of the dialogue (for example, when Vanda slams the phone down in anger). This makes me feel as though he almost abuses his subject. Filmed in 2006 the film. I think the problems of ethics in filmmaking cannot be solved. Some of you may felt that Sunday's documentary was a bit light, a little bit like eating candy floss, no substance. Also, i think observation style makes audience to get more shock by the scene without explanation. The earliest version to survive in the Bible is Mark 's Gospel. Ones initial reaction would be to strip her of the bottle however, Watson remains faithful to his observational aim and instead of forcefully stopping her he simply tells her that he is disappointed in her. Also, I think he had a desire to understand his characters and the reasons of being whothey are. In the moment where Vanda passes out from over drinking, and we see Watson check her pulse, to me I felt as if he was concerned, he didnt sit back and observe her in a blackened out state, he checked on her, he was her responsibility at that moment. It is obvious that this documentary was extremely influential to those who have seen it, I have attached a link below of a Facebook page a viewer has made (who obviously has personal issues and experience with alcoholism). It quotes how Vanda told Paul Youre asking me while Im pickled in reference to his questions, as well as youre manipulating me. Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. I felt that already Watson was too close to his subjects to represent them how he originally intended to. I definitely agree with Watson in this respect, in order to open up our eyes to this destructive disease we must see the worst of it. (http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument) It is important to understand that Watson is doing his job as a filmmaker and how this certainly does not make in inhumane to the situation. The world was slowly healing. By the time she married at 18 she was a serious drinker - the marriage didn't last, nor did a succession of jobs despite her being able to speak at least two other languages. He first asks for consent to film them, telling them that he cannot interfere with anything that theyll do, but in return pushes them to the limit by asking provocative questions. This can be seen when Watson is speaking to Toni about her addiction, something that Toni profusely denies she is. At this weeks lecture, the first slide read Documentary is most creditable when it comes as close as possible to the experience of someone actually there. " "Before there is peace, blood will spill blood, and the lake will run red. Boozenight, which included Paul Watson's follow-up to Rain in my Heart, was shown on Thursday, 13 Dec on BBC TWO. In the documentary, Paul Watson used lots of close up shots to catch the expression and emotion of these people, which deeply enhance the emotional stuff and educational meaning for this documentary. Get up to 5 months free If the subjects are happy to be filmed then I dont see the problem as long as they have a stable state of mind. Check out our rain in my heart selection for the very best in unique or custom, handmade pieces from our shops. Alcoholism is a very sensitive subject for some and as a viewer I felt he was exploiting his subjects; to a certain extent. Tonis most exploitative scene, as I believe, is when she is shown unconscious a few days before her death. The fact that it was all staged, distances the audience from the idea of a documentary as most believe that it must be as real as possible. There are a few scenes that stand out as being the most exploitative. This gives the impression that Paul Watson is only interested in the success of this documentary. Now, with Rain in my Heart, Watson has made the documentary equivalent to The Lost Weekend(1945), the classic feature film about alcoholism, where a writer loses everything through drinking and ends up on a psychiatric ward. Perhaps the strong emotional shocked felt from watching it is more to do with fearing our own mortality. For one the subjects were extremely vulnerable which raises the question on whether they were in the right state of mind to consent to being filmed and telling their story. However, many critics point out how these subjects are all vulnerable and incapable of really understanding what they are signing themselves up for. Therefore, maybe his techniques did actually work quite well, although flawed and subjective in places. Overall, I believe Watson does not exploit his subjects because they knew roughly what they were getting themselves into and because Watson simply observed with the camera the tragic events of the subjects that would gain the empathy of the audience towards the effect of alcoholism. About the same age as Vanda, Kath has spent more than a decade caring for an alcoholic. I also think that it is not Pauls fault that these people after having a huge amount of alcohol could not control themselves: their speech, actions and emotions. On the positive side of the argument I agree that Watson, through the cut away shots he includes throughout the film, allows himself to be more personal with the audience. Although he felt a great need to capture this real footage, it was only when he almost invaded the subjects personal space (their homes) knowing they would be under the influence of alcoholic beverages, did they begin to open up emotionally and share extremely personal experiences. Firstly there is very little music (it sounded like the grating pop track at Nigels funeral was actually being played live on a stereo) The camera work seems to lack precision and is only there for immediacy. /Users/abgsaniya/Desktop/hqdefault.jpg. Moreover, one can say that the subjects were exploited not only in the aforementioned scenes, but generally throughout the film. In comparison to other hard-hitting and eye opening documentaries and coverage of alcohol/substance addictions, I think that Rain In My Heart is hardly exploitative at all. An example could be when Vanda talks about the monsters in her head, one of the monsters being her abusive father, that pushed her into the terrifying world of self-harm. Nigel died during the course of filming Rain in my Heart, leaving Kath and two teenage children. The fact he became emotionally involved with such a topic I believe would have helped; it was clear he so wanted them to stay off the alcohol and endure a full recovery. Four alcoholics in and out of hospital over a two month period, reality at its most real. Also just to confirm Gillingham is a pretty shitty place to grow up in, so the documentary comes across as very sincere. When he asks of her troubled past, he is very interrogative as he continues to ask until she is brought to tears by the discussion of her brothers death, but rather than stop, he pushes on. This is followed by a sequence of Claire crying at his funeral and shots of the casket. Rain in my Heart was an incredibly touching yet dark documentary about the wide spread issue that is alcoholism, and at points I was touched by the way in which Watson presented his subjects and their problems. The problem suddenly doesnt become the alcohol, but their mental state, which is something I learnt from the film. The veins in her legs have contracted because of alcohol, making walking difficult. And it tells us a lot; it is educational, eye opening and informative. He would stop filming if the interview got too personal, if the subject would ask to stop the interview or refuse to go on even further, and he even questioned the subject the following day as to whether she was happy with him including the footage he had captured. Also when he went to Vandas house and interviewed her, he didnt stop her to drink alcohol. Other examples are when he continuing to film Nigels wife as she said goodbye to her dying husband in the hospital and when Vanda told a deep secret about the reason she became an alcoholic. All Watsons subjects agreed to being filmed whilst they were drunk before the filming commenced, and so the question is not should Watson have kept filming?, but rather should Watson have included that part of the footage?. That is something which I felt could have been left out, as it only showed her weak points and did not help in the documentaries focus on her alcohol problem. It is complicated to say if Paul Watsons techniques were successful in the making of the film, as there are arguments from both sides. The Facebook link I posted was created by Nigels son. I think to use the word exploitative to describe the techniques used by Watson to film Rain in my Heart upon his subjects is an unfair judgment. What I think is that Watson did not exploit his subjects in the film. I do not believe that Paul Watson was dealing with the accusations successfully, but I also do not believe that he was making this film completely selfishly. Chapter 1. No one feels comfortable at the hospital anyway without a camera crew to be there watching your pain and destruction (essentially). One of the last images we see of Nicole is her hooked up to tubes fighting for her life. It is true that there are not many cut ins of his own questioning however Watson thought it be inappropriate to constantly show his own personal struggles when his subjects are undergoing way more traumatic psychological illnesses. There were moments where I felt the subjects may have been exploited by Paul Watson but, this being said, I dont see a way around this problem. Most Popular Now | 56,514 people are reading stories on the site right now. I was completely satisfied with his attempts to deal with accusations of taking advantage of their vulnerabilities throughout the film. Watson used creative techniques through editing of previous footage of Vanda. He faced their situations with the most possible respect. To watch this sequence of Watson, truthfully revealing his professional flaw, for me, was quite humbling. A stage of construction must have taken place and although the Documentary as a whole seems as real as possible because we take a true insight into the lives of severe alcoholics, Watson has already manipulated his Documentary by constructing the reality before the show had even commenced. Explaining hell it is. After filming Vanda revealing what the monsters in her head were, she states Im a little bit pickled (drunk), to which Paul Watson says Im taking advantage of you. Personally, I would much rather watch Robert Winstons documentary series on the human body which ended with the filming of a mans death, from cancer, than go Watsons questionable film techniques. This powerful documentary from fly-on-the-wall pioneer Paul Watson provides a raw account of four alcohol abusers from the impoverished Medway towns of north Kent. I would not have the heavens fair, Paul Watsons attempt to defend himself and his arguments against the accusations do make sense. he felt that to put this material in the same documentary as his musings about the problems of getting the film made seemed glib and inappropriate. (http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument). When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. Overall, I do not feel that Paul Watson has exploited the subjects in his film. It follows 4 alcoholics from the hospital to their homes. The feeling of films like that, of seeing something terrible aestheticized, is usually along the lines of the feeling Want to turn away but cant I tend to find that the cant often means secretly dont want to. However in the documentary there is a shot of him asking Why am I asking you to watch Nigel die? and he then says that Nigels wife, Kath, had wanted it to be shown so that the audience would be made fully aware of the consequences of alcoholism. So all these people dont mind being shown in their most vulnerable state on national TV and even Watson at times ask the subjects if they would like him to turn the camera off. In my opinion, this exploited them as the repetition was giving them a personality that they do not possess and is therefore, a form of misrepresentation. A prime example of exploitation was the most vulnerable and interesting subject-Vanda. It is also true that sometimes the person who was interviewed didnt feel very comfortable about what he or she was saying and probably wasnt aware at all of what it was being said. On his first admission to hospital, where we see him in the film, he was given a 50:50 chance of survival. 2 . An example being Vanda and the way he gets to know her and in the end explores her painful past. Thus creating awareness, insight into the medical world and the rising figures of binge drinking, alcohol abuse and its rippling consequences. It was graphic, saddening and an uncomfortable viewing but I was overwhelmed by its message. I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. I read an interesting article about this film posted on The Guardian, and a quote that stood out to me was Of the many powerful issues raised by the film, the one which occupied me most was this: are some things just too real to be captured on film?. As with the film, this documentary presents some uncomfortable and hard to bear realities. After drinking heavily, people are definitely not in a normal status, which lead to a question that in what situation Paul Watson get the consent from these alcoholics. 100. Rain in my heart is a really educational and impressive documentary film for me. I think this leads them to be manipulated easily. But there is no evidence of this happening. Vanda, 43, has been drinking since the age of 12. Just finished it and I wonder what happened to Mark and Vanda. I felt connected to him because he was allowing us, the audience; to see that he too was going through an ethical debate about whether what he was filming and the position he was taking was morally right. Penny recalls being so scared. This was a devastating and emotional sequence for me. such as askingcan we enter the subjects house? Forum Member. Is it really more important that showing the dangerous of alcoholism by peoples moment who dying even ignore their life? Mark may well have been a grey area and I wasn't sure whether he was so unhappy because of the drink or if he was using the drink because he was unhappy. Because Paul Watson deliberately interviews them after they are drunk. Considering this film brings light to the mental conditions that tend to lead to alcoholism, then was Paul Watson in the right place to accept the consent from these people? So with saying that, I was satisfied with the way that Watson handled his participants. This for me over steps the boundaries of ethical filming. Anyway, audiences (including us) will always question whether a subject who is having their whole life pried open for viewing could be a victim of exploitation. Is this the feel good factor we crave? Nicole (rain_in_my_heart)'s profile on Myspace, the place where people come to connect, discover, and share. This is getting a lot more personal. Twenty-nine-year-old Mark consumes two bottles of vodka per day. I feel it is hard to say if Watson exploited his subjects, because I dont know whatever deal they probably made behind the screen. If we are to look at films that exploit horrors/suffering then we must idenfity the certain aesthetics and language that are used to do this. It is true that these patients are probably not fully capable of realising the whole process of the documentary, however they are aware that a camera is always present and they are sometimes asked by Watson if they prefer it to be switched off. Nervous about designing and ordering your card online? It is a difficult film to watch because of the subject matter it deals with. It may not be a documentary, but to get at what Im thinking, look at this scene Therefore, Watsons approach definitely satisfied me with how delicately he treats the patients and clearly recognizes his role as filmmaker. Twenty-nine when he appeared in. Of the four, two die whilst in hospital and a third dies within five . https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. He made it clear through out the film that he was never sure whether he should be filming his subjects or whether he should, at some points, be turning the camera off. Watching Rain in my Heart was a particularly harrowing and educational experience for me as a viewer. As an audience member I am conflicted as to how satisfied I am with how Watson deals with accusations about him exploiting the audience. Mutual-help groups are popular such as, Alcoholics Anonymous becaus, Alcoholics Anonymous In Nj Recoverycnt com, Weltpremiere des neuen Touareg live aus Peking. White envelopes included. Even if that wouldve been the case either way, I think as an observer you shouldnt encourage it. He just tried to observe that and filmed everything as it is, while they I assume from the very beginning had agreed to be filmed in any state they are. He just shined a light on a topic a lot of people often avoid. (LogOut/ But theres a film within and around the film, one that Steven Spielberg didnt make but that he or someone else should have made: Spielbergs List, the story of the casting call for the actresses who would be getting undressed and going into the gas chamber that turns out to be a shower. When he interviews his subjects when they are drunk, the woman speaks of her monster inside, she used to suffer from sexual abusing by her father. This is just one example of the reaction that Watsons Rain in My Heart provoked; Not something that is watched and easily forgotten about. Mark Schaefer 20 Entertaining Uses of ChatGPT You Never Knew Were Possible The PyCoach in Towards Data Science mercedes a class secret menu Then, move onto writing code for scraping from two sports betting websites and find surebets from there. Director Paul Watson See production, box office & company info Add to Watchlist 5 User reviews Won 1 BAFTA Award 2 wins & 1 nomination total Photos Add photo More like this 6.7 Voyeurism this is not. Rather, this extreme showing of suffering is an eduction, to open the spectators eyes to this disease and its effects. Rain In My Heart is not an easy documentary to watch. And the audience is living the pain through the subjects, and that is the best outcome to achieve, making the subjects exploitation almost worthwhile. For before the revealing of the alcohol, Watson greets Vanda by pecking her on the mouth and cheek. Of filming Rain in my Heart Wall Art designed and sold by artists during filming is testimony! ; s Gospel rain in my heart update mark audience to get more shock by the scene without explanation shined a light on topic... Himself and his arguments against the accusations do make sense Watson is speaking to Toni about her addiction, that! 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